| Most people at some point in their lives | | | | steps. It's not enough just to know the |
| encounter a great entertainer, unless of | | | | steps, you need to know how to deliver them. |
| course they live under a rock. And, most of | | | | |
| those people if they're lucky enough get to | | | | Then, once you have the template down the |
| see more than one. Most everyone | | | | hardest part comes next; how to put your |
| instinctively knows a great entertainer when | | | | personality into the template. This is the |
| they see one however, do they really know | | | | part that takes the most practice. I |
| what goes into making one? | | | | remember when I first put the template into |
| | | | practice it was nothing short of a disaster. |
| Based on my experience it's not an accident | | | | Why? Because, I tried to be someone that I'm |
| that some entertainers stand out from the | | | | not. An audience can see right through that. |
| crowd. It's based on a carefully laid out | | | | I needed to find myself within the template |
| plan that includes; stage presence, humility, | | | | and learn how to be me while still covering |
| confidence, mental preparation, natural | | | | all of the things I need to do to connect |
| talent, experience and one secret ingredient. | | | | with the audience. |
| | | | |
| Did you know that the number one fear in | | | | Ok, so let's say you've mastered the template |
| North America is public speaking? The only | | | | and can deliver it in your own style and |
| way to alleviate that fear is with practice. | | | | personality. What else do you need to know? |
| Public speaking or any type of performance in | | | | Just this; the audience is the star! That's |
| front of an audience takes practice. It's | | | | the secret ingredient. Without it, you can |
| not just about what to say or do, it's about | | | | never hope to be a great entertainer. And, |
| how to say or do it. Most great entertainers | | | | that's the biggest mistake that most upcoming |
| know that it's far less important what you | | | | performers do not understand. It's all about |
| say or do, it's how you say or do it. | | | | the audience. In fact, the more you make it |
| | | | about the audience the more success as a |
| So, how do you learn how to give a great | | | | great entertainer you'll have. |
| performance? Well, the first thing you need | | | | |
| is the right information. It always amazes | | | | The last thing an audience wants to see is |
| me how few people know how to interact with | | | | some ego maniac artist take the stage and |
| an audience. It's not just about being | | | | make it all about them. For example; if the |
| confident it's about where to stand, how to | | | | artists performs what they want and say what |
| stand, when to speak, how to speak, body | | | | they want with little regard for what the |
| language, how to move and how to address the | | | | audience wants. That's so wrong on so many |
| audience. This type of information starts | | | | levels. How to do you make it about the |
| with a template. There actually is a | | | | audience? Use the template. The template |
| template for giving any type of presentation. | | | | teaches you how to interact with them instead |
| Most great entertainers know this. They do | | | | of performing down to them. If the audience |
| not wing it. | | | | sees you at their level the more success |
| | | | you'll have. |
| For example, there is a template just for the | | | | |
| introduction which includes things like; how | | | | A combination of the perfect performance |
| to take the stage, what to say first, asking | | | | template, experience and making the audience |
| enrolling questions, earning the right and | | | | the star will propel any career beyond normal |
| strategically letting the audience what the | | | | expectation. Just remember to get the right |
| presentation is all about and what's in store | | | | information from the right people. How? Go |
| for me. While this may seem like a simple | | | | to someone who's already doing it and ask |
| thing, it's not. An entertainer needs to | | | | them. It's as simple as that. |
| know exactly how to perform each one of these | | | | |