| Let’s face it; producing truly astonishing | | | | it’s mounted at chair height? Position |
| displays is a gift. | | | | your displays accordingly. |
| I can spend half an hour carefully ruffling a drape | | | | Try to be flexible about how you think about |
| and fixing it to a wall and it still looks like | | | | display. I’ve seen information sheets |
| someone’s fired staples into an old rag | | | | stuck to the ceiling and wonderful (and |
| from half-way across the classroom. Similarly, | | | | waterproof!) displays created in toilet areas. Be as |
| colleagues have spent valuable time showing me | | | | creative as you can and don’t limit |
| how to make artistic groupings of conkers and | | | | yourself to convention! |
| russet leaves whilst interspacing | | | | Planning Do plan your displays before you start |
| children’s work, and it looks fabulous, | | | | them. Spending five minutes deciding what you |
| but when I try it looks like there’s | | | | want to achieve before you start on the display, |
| been some sort of mad autumnal whirlwind. I just | | | | or you set the children their task, is five minutes |
| can’t do it! I like straight lines, abhor | | | | well spent (Am I the only one to have produced |
| Paisley patterns and drapes are a complete | | | | a display that’s far too big for the |
| anathema to me. In short, I am not one of the | | | | board? Surely not!). You might also elect at this |
| Laurence Llewellyn-Bowens of this world. I do | | | | point to for ask advice on colour matches from |
| however, recognise those with talent. | | | | one of your stuffed-ferret colleagues who will tell |
| Talented people are creative. They use a range | | | | you all sorts of things about warm and cold |
| of wonderful materials; they construct display | | | | colours; be prepared to believe what they say, |
| areas with trellis and interwoven drapes. They | | | | even if it does sound like gibberish. |
| incorporate driftwood and seashells and hang | | | | Creating Backing a board is very much like |
| things from the ceiling. They use soft lighting in | | | | wallpapering. Put the paper on from the opposite |
| corridors and make collections of tactile objects | | | | side to the door, that means that you |
| that invite touch and exploration. Ultimately, these | | | | won’t see the overlap on the paper |
| are the people who are not queasy about handling | | | | when you walk into the room, and |
| stuffed ferrets. | | | | don’t forget that you can use more |
| I hope that you’re one of the talented | | | | than one colour to back a board; different |
| ones. If you are, stop reading now and go and do | | | | coloured stripes or diamonds can be conducive to |
| some sort of artistic arrangement for one of | | | | some work. Alternatively, you can let the |
| your less able colleagues, they need your help, | | | | displayed items do the talking and opt for a board |
| really they do! If you’re starting to | | | | that’s covered with hessian or a very |
| empathise with my position, then read on. | | | | neutral colour. Intrusions in the board, e.g. light |
| Displays perform many functions; they inform, | | | | switches are best handled by using a craft knife |
| inspire and celebrate. They also publish your | | | | to cut a diagonal cross in the paper over the |
| standards and expectations to colleagues and | | | | offending article and folding the edges back |
| parents. So how about some golden rules for | | | | before trimming them. Think about how hard you |
| display? | | | | push the staples in; remember you’ll |
| Types of display There are several different | | | | have to get them out again afterwards. A staple |
| types of display. • Starting point: usually | | | | gun may be ideal for upholstery but a small hand |
| a collection of posters, artefacts and questions | | | | stapler (with a piece of card placed underneath to |
| that stimulate interest in a new topic. • | | | | raise it off the board) will provide enough grip for |
| Information: these are things like multiplication | | | | a display and allow you to get the staples out at |
| tables, rules for grammar, code of conduct, | | | | a later date without ripping the |
| targets, learning objectives, etc. They are often | | | | children’s work. I always used very |
| positioned higher on the classroom wall, but they | | | | small staples to position the work on my display |
| need to be large enough for the children to be | | | | before fixing it into place since I always had to |
| able to read easily. • Interactive: these | | | | make alterations before it looked vaguely |
| displays are designed to involve the children. Use | | | | balanced. Give some consideration to the border. |
| questions with hidden answers, moveable objects | | | | Scalloped edging, wallpaper borders or strips of |
| with sticky Velcro pads, overlapping acetate | | | | marbled card can add something special to a |
| sheets and laminated card on string. • | | | | display but make sure that they don’t |
| Celebratory: these displays applaud the | | | | overwhelm the contents. |
| children’s efforts. It’s | | | | Publicising Of course your display may be so |
| entirely up to you and the ethos of your school | | | | fantastic that the children will step into the room |
| whether you include only perfectly drafted work | | | | and gasp in sheer wonderment and delight. They |
| or allow process work to be displayed here too. | | | | also might not even notice all of your efforts. |
| Try to ensure that you allow | | | | Very often you’ll need to attract the |
| everyone’s work to be displayed at | | | | children’s attention to new displays. |
| some point; if a child has tried hard their work | | | | You can do this by simply talking about the |
| deserves to be up there! • Notice-board: | | | | display, pointing out the excellence of the work or |
| this can serve to involve children. Class notices | | | | the value of the information. You might also use |
| can be published and children can bring in | | | | an interactive display as an introduction to a |
| photographs, newspaper clippings and work from | | | | lesson and can even set a classroom quiz about |
| home. | | | | the work on the walls. However you choose to |
| Consider just how much space you afford to | | | | do it, make certain that the children notice the |
| each type of display and try to retain a balance. | | | | change of environment. |
| You should also consider how your displays reflect | | | | Share the workload For older children it can be |
| your current curriculum focus. | | | | quite challenging and motivating for them to be |
| Position Have a look around your classroom from | | | | given a display board of their own. Of course you |
| a child’s perspective. The height of the | | | | will have to live with the consequences and a |
| child will influence just where you can position your | | | | certain amount of vetting may be required before |
| display. Will the children be able to interact with | | | | you feel that their plans match your standards. |
| your interactive display without clambering onto a | | | | You may find yourself blessed by an incredibly |
| chair? Will they be able to read their own name | | | | talented teaching assistant who loves creating |
| on the celebratory display if it’s lodged | | | | spectacular displays; if so use their talent and |
| somewhere near the ceiling? Will their best piece | | | | ability without guilt. Failing that, do a deal with one |
| of work be scuffed to a scrap because | | | | of the stuffed-ferret brigade! |